Irit Rogoff is a writer, teacher, curator and organiser. She is Professor of Visual Culture at Goldsmiths London University, a department she founded in This text is the first section of “What is a Theorist?”, see You can find Irit Rogoff’s extended deliberations on criticality in her recent text. Goldsmiths, University of London has launched a series of publications considering the discipline of visual cultures – one of those ushered in by Hall and .
|Published (Last):||15 August 2004|
|PDF File Size:||13.42 Mb|
|ePub File Size:||4.49 Mb|
|Price:||Free* [*Free Regsitration Required]|
Irit Rogoff is one of the initiators of the transdisciplinary field of Visual Culture and founder of the department at Goldsmiths. Her initiatives to establish this new field are led by a belief that we must work beyond bodies of inherited disciplinary knowledge and find motivation for knowledge production in the current conditions we are living out.
Mirzoeff,2nd ed. Rogoff works between academic teaching, theoretical writing, curatorial projects and organizing public study. Together with colleagues she formed the freethought collective in and they are co-curating The Bergen Assembly in D program in theorizing the curatorial. Her teaching has consistently brought together theoretical analysis and collective independent research projects and explored emergent new possibilities of practice based research as an intellectual project.
D programs and heads the PH. D in Visual Culture. Given her overarching interest in critical epistemology and questions of contemporary research modes.
Rogoff areas of supervision include: As a curator and public organisor Rogoff has been involved in a series of exhibitions, the public programs they generate and the possibility of constituting public study platforms at the edges of numerous occasions.
Professor Irit Rogoff
Projects such as A. YHamburg Kunstverein, MuHka Antwerp VanAbbe, Eindhoven brought together large groups of intellectuals, curators, architects and artists to pose questions roboff the forms that learning might take within public institutional culture.
Art explored how the work of a rogff artist might provide pathways into a broader understanding of a culture by wrapping the art work in several layers of archives and performative reflection. As part of the freethought collective — continuing from several initial projects at the Steirerischer Herbst Festival and at Former West — a project investigating Infrastructure as affective economies and subjective membranes within world structures, will be one strand of the Bergen Assembly My practice is one of both academic research as well as in the practices of curating and organizing.
I am interested in untangling the seemingly naturalized relations of subjects and places, in the constitution of sites and spaces that can not be cohered under the proper names on nations, regions, identities ieit identities and in the cultural and artistic practices that have emerged from mobilities, dislocations and states of extreme and prolonged conflict and the terroristic as the undermine the certainties of belonging, stability and emplacement.
My forthcoming book Looking Away — Participating Singularities, Ontological Communities builds on work I published and curated in recent years and which asks the question on what does it mean to take part in culture beyond the roles that culture allots us for that kind of involvement.
Geography’s Visual Culture Rogoff, Irit.
Abingdon and New York: Becoming Research Rogoff, Irit. What Do Museums Research. Seoul, Republic of Korea: Who do WE face? Maria Hlavajova and Simon Sheikh, eds. Art and the Contemporary after Starting in the Middle: Counter Knowledges and Permissions.
Mika Rottenberg at Goldsmiths Centre for Contemporary Art, London
Oblique Points of Entry Rogoff, Irit. Oblique Points of Entry.
Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses: The Expanding Field Rogoff, Irit. A philosophy of curating. Rogodf Jorinde and Gielen Pascal, eds. Neither police, nor pirates Rogoff, Irit. Neither police, nor pirates.
Vancouver, BC, and Aarau, Switzerland: Vancouver Art Gallery and Aargauer Kunsthaus, pp.
Regional Imaginaries Rogoff, Irit. Contemporary Art from Riit. TransGlobe publishing and Thames and Hudson, pp. Productive anticipation Rogoff, Irit and Schneider, Florian.
David Held and Henrietta Moore, eds. Academy as Potentiality Rogoff, Irit.
Irit Rogoff – Wikipedia
Looking Away—Participations in Visual Culture. The Where of Now Rogoff, Irit. The Where of Now. Time Zones—Recent Film and Video.
FORMER WEST – Irit Rogoff
Engendering Terror Rogoff, Irit. Geography and the Politics of mobility. Generali Foundation and Walter Koenig, pp. Was ist ein Kunstler.
I Promise its Political. Comtemporary views on art and exhibitions. The Visual Culture Reader. Outsiders – Studies in Cultural Marginality. Singularising Knowledge Rogoff, Irit. SummerDoing Dissemination. Participating Singularities — Ontological Communities.
With the work of Kutlug Ataman Rogoff, Irit. With the work of Kutlug Ataman.
Third Text, 23 2pp. Unfolding the critical Rogoff, Irit and Stahre, Ulrike. Kutlug Ataman and Irit Rogoff in conversation. Karlsruhe, Germany February An Anecdoted Archive of Exhibition Lives. What are you looking for? Staff details Position Professor of Visual Cultures. Seriousness, co-authored with Gavin Butt, Sternberg Press: Angelika Nollert and Irit Rogoff, Revolver GeoCultures I am interested in untangling the seemingly naturalized relations of subjects and places, in the constitution of sites and spaces that can not be cohered under the proper names on nations, regions, identities or identities and in the cultural and artistic practices that have emerged from mobilities, dislocations and states of extreme and prolonged conflict and the terroristic as the undermine the certainties of belonging, stability and emplacement.